And I got to sleep in until 6:25 this morning!
Our Mission: "Tighter sphincters in 30 days, or we'll EAT OUR LUNCH!"
Saturday, August 17, 2019
Saturday, August 10, 2019
The Home Stretch!
Four days - more layering, more filters, more sound experiments ... oh the pure joy of it all!
Three to go - remembering Wm Buckingham of FSC who trusted us with his car for this one
Two to go - this pulled from a 2018 ASIFA Central Anijam
One day left - and then from a job to one's work...
And out the door with a bit of recycled guidance...
Saturday, August 03, 2019
And down from Day #9
#9 - some sketching, multiple filters, and a sincere thanks to Georges Melies
8 days to go - multiple layers again, discovering some new built-in functions, and finally have the digital tablet working well...
7 days to go - adapting a ca 2005 Flash tutorial demo into the countdown. Note to self: watch the reconstructed "Metropolis" again!!
6 days to go - a visit to where it all began, nearly 50 years ago...
6 days still, but with better contrast...oh those learning curves!
And a reference to day #25 for day #5, to show what a browbeaten experience the ensuing 20 days has been...
Tuesday, July 30, 2019
And now from day 14 ...
14 days and getting a bit dizzy
13 days and still can't find enough boxes...
12 days and someone's following me!!!
Thursday, July 25, 2019
Starting With Day 19 now.... the countdown continues!
#19 - Need to revisit this stalled project from 18 years ago, too.... in the meantime, the countdown continues!
18 days! It's all becoming very surreal....
17 days - a bit manic -
16 days - friends offer advice
15 days - another bright morning
16 days - friends offer advice
Monday, July 22, 2019
Another Countdown Begins at 27 days....
27 days - Eleanor Powell Rotoscope from "Honolulu" (1939)
26 days - Images from a missed ASIFA Central retreat in St. Louis this August
25 days - Life's a gamble after all, isn't it?
24 days - Making use of a previous clip with frames re-inserted
23 days - The storm was over, so I went out to feed the mosquitoes.
Thanks and apologies to Winsor McCay and "How a Mosquito Operates" (1912)
(We'll see how long I can keep this going....)
22 days - rotoscoped a rotoscope ... oh these exercises!
21 days - head dive into the 80's archives...
20 days - at least the source material is from this century!
Saturday, June 22, 2019
Jennie Wade House - Gettysburg - June 2019
The guide told us to take pictures in a series in case something "should appear."
Wednesday, April 17, 2019
Complications from Taking Things for Guinness
I like burnt toast. I made a crunchy meatloaf tonight. It has carbon. I am carbon based. If I ever burn my fingers, I may be my own lunch. I also had a bear tonight. A beer. A bear would be silly. If I were a bear's lunch, I'd be pretty burned. And then I'd have dinner too. Maybe I'd invite the bear for a beer. A Hamm's. A hemms. Ahem. Time to dream of bears. A bare dream. No that's something completely different. That's a Python. A python in a bare dream with a beer and a bear. As long as I'm not bare with a bear and a beer. That would be a bore.
Sleep can only help so much....
(rewrite when awake to...)
I should write this down.
And later:
There once was a saucy mosquito
Who craved a juicy burrito
But when she lay in the mud
Con-templating blood,
She switched her desire to some Cheetos.
Sleep can only help so much....
(rewrite when awake to...)
Abuzz in jungled mosquitoes
Was an egg-borne pester of cheetas
She hummed o'er the swamp
All primed for a romp
But settled for tartare burritos
And, emerging from the fog:
And, emerging from the fog:
A submental collection of weasels,
Oleagenous as freshly-lubed diesels,
Tied themselves into knots
On the subject of shots.
News report: they all died of the measles!
Oleagenous as freshly-lubed diesels,
Tied themselves into knots
On the subject of shots.
News report: they all died of the measles!
Monday, April 08, 2019
Talking Alone to the Phone on a Long, Long Drive....
Maybe an animation narration here...(begun in the mid 1980s, bits found on a micro cassette from that "era"):
Said Laura Palmetto McGregory Toon
“I just read a story that ended too soon!
Oh sure, it had gremlins and dragons unnumbered,
And even a princess in eternal slumber.
The problem’s the story just ended too soon!”
Said Laura Palmetto McGregory Toon
Said Laura Palmetto McGregory Toon
She went to her granny’s, found all the best books
She read them in crannies, she read them in nooks.
She read them with cookies piled high upon lace,
She read them so close she smeared ink on her face.
She read them at night, with her little flash lightie,
She read them all cuddled in a blue flannel nightie.
A distraction appeared, as a canine named Beet
(But he'd answer to "Boo!" or "Come Here for a
Treat!")
She taught him to sit, to roll over, and stay
But found he liked books in a very wrong way...
She read tawdry romances - novels - adventures!
(And a medical essay on ugly old dentures).
She read about people from Kalamazoo
She read about hormones (and made a few, too).
She planned a career filled with keyboards and easels,
And was vaccinated against getting three-day-old measles
She never found princes, nor flared dragons, either,
Just boy after boy all determined to tease her.
She was married once, she was married twice:
The first one for love, the other for vice.
She had a sweet daughter, the usual way,
Who turned 17 and then sauntered away.
So what was this story that caused all this strife?
It wasn’t a story, it was simply a life.
So while it lacked princes, it gave a good slumber
And moments of happiness too many to number.
“The problem’s the story just ended too soon!”
Said Laura Palmetto McGregory Toon.
-or-
Margaret Millington MacDonald O'Foon
Tina O'Leherity Smith-Wallington Soon
Stacy McMacey Sans-Souci Muldoon
Racheal Fontunis FitzWalletter Moon
Vickie McLitchey Sympatti Racoon
Saturday, March 16, 2019
The View from Paris - 1973
For less than $400 you could get 8 days, 7 nights, in France in the Spring of 1973. A king's ransom to a 17 year old saving for pharmacy school, but I figured it might give me a memory or two. Also brought along a new Bolex Super 8mm camera, so I still have at least two memories, attached:
"The Students are Revolting" (and they were - a quarter million took to the streets to protest the mandatory draft while we were there. I took teenage liberties with the edit.)
And we'll see if the other memory can be uploaded:
Sunday, March 10, 2019
ASIFA Central - notes on Board Meeting Wednesday, March 6 2019
After some entertaining log ons and sound loss, the meeting began, with illumination guiding the proceedings ---
ASIFA Board Agenda and Notes for March 6, 2019
Present: Deanna, Brad, Jim, Julie, Chuck, Steve, Chris
Topics:
1. ASIFA Website Needs:
Launch date? We didn’t decide on a launch date, though we’re still making some changes beforehand.
** Maybe launch it after Brad updates the heartfelt welcome on the home page? Deanna (that would work -- Chuck)
Where should we place new information: ex. Newsletter Archive - 39 pdfs of the previous newsletters are ready! This should be along the top of the site - “events” and “join” banner - make a new page and off you go to the races! - other newsletter archives are being gathered at ASIFA East by JJ Sedelmeier (he may even have all the ASIFA Central newsletters in his collection, if we are missing any issues or cannot find them in our digital scans)
Is there a basic tutorial for posting on the website that Julie can recommend? https://ithemes.com/tutorials/creating-a-wordpress-post/
Brad writes something for the home page - overall vision and goals for this year, mentioning some of the things coming up, and we can look it over, toss in our ideas, we can approve it and then start letting folks know what’s going on! (ie St Louis in July). This will also be in our spring newsletter.
2. Next Event planning?
-Gretchen was going to check the cost of renting the facility - weekdays are likely less expensive
-DIA has some programs coming up - if someone wants a drive to Detroit...that has some options for activities
-Tom Sullivan - Jim will reach out to Tom for availability and what he’s able to bring - his requirements/needs; it may be a draw for local GR folks, more difficult for at-distance students (even Allendale to Grand Rapids journeys can be a challenge) - some students become so entrenched in their own projects and challenges that they don’t leave their workbenches - Jim will talk with Gretchen for available dates.
- School reels - and “open mic” from schools - drop box student films from the past 2 years that can be passed along (April 26-28 - Chris’ Kinematifest) - deadlines are pretty informal - April 1.
- Nina Paley: Seder Masochism feature-length animated film
- Ann Arbor Film festival is March 26-31. See below for some selected programs that feature animation…
3. Newsletter: Deadline for articles and how many newsletters we doing this year? Four issues per year is the goal - Jim will send some lists of PD music and open source software for comments. The next newsletter release will be by April 15. Taxes and Animation!
Topics for the next newsletter - Brad’s Presidential insights, thoughts from members’ blogs (Chuck’s ongoing reviews and adventures), IAD AniJam (10 participants so far, based on the yet-to-be made public poster for the 2019 October IAD), Public Domain music and material, and open-source software (Storyboarder/Blender 2.8alpha, Grease pencil, etc.) - probably an ongoing examination of available material out there at low cost.
4. Open Projects:
- Call for Writer/Researchers: Deanna and Brad will help Submit in April ?? till Sept.
- Summer Retreat - July 20 and 21 in St Louis - place that on the website with info TBA - Chris will build a promotional for the retreat, now in development
RETREAT Committee: Chris, Gretchen, Bob details by next meeting
- IDEAS for RETREAT: Pixelation exercises and explorations, TED talk/tech talk/microtalk type presentations (ie, animation history), student involvement - Chris DeWitt from Indiana may be a - Ray Pointer from Michigan - invite the Chicago animators to show their work
- Cut out weekend workshop “Lizzo” the seamonster - replacement animation project - couple pixelated humans with cartoon objects that can be swapped out https://vimeo.com/6246280
- A wall that can be drawn on, with people pixelated in front of it (increase participant involvement)
- The ever popular Show and Tell (Symposium?) - or something that sounds like an Academic Report for the faculty folk
5. Member Enrollment numbers
- We currently have 36 members.
- Julie will review ad Google dollars and opportunities (Corey Francis-Parks -sp) (ASIFA has worked this, using membership size to instill interest)
- Confusion email with the ASIFA international group has dropped considerably - We are .org, they are .net - we have a stealth launch….
6. DRAFT : Call for Writer/Researchers (Deanna will send out general information to the membership; is someone within ASIFA Central a possibility - letter of intent or note of interest?)
- ASIFA/Central USA has announced a call for writer/researchers to compile and write two pieces for two separate projects.
- Honorarium $400. (for each project)
- Letter of intent with writing sample April 1
- Draft presentation deadline July 1
- Final deadline Sept 1
- To apply, please indicate which project(s) you are interested in pursuing, and send a writing sample or link to previous writing to Deanna Morse (morsed@gvsu.edu)
- The material would be used in some manner to celebrate the 60th Anniversary of ASIFA, in 2020.
7. PROJECTS
CALL FOR WRITER/RESEARCHERS
ASIFA/Central USA has announced a call for writer/researchers to compile and write two pieces for two separate projects.
Honorarium $400. (for each project)
DEADLINES:
Letter of intent with writing sample April 1
Draft presentation deadline July 1
Final deadline Sept 1
To apply, please indicate which project(s) you are interested in pursuing, and send a writing sample or link to previous writing to Committee chair Deanna Morse (morsed@gvsu.edu)
The material would be used in some manner to celebrate the 60th Anniversary of ASIFA, in 2020.
Project 1 – ASIFA PRIZE
The ASIFA Prize has been awarded since 1985 to a person or organization that has made “a significant and innovative contribution towards the promotion and preservation of the art of animation”.
http://asifa.net/asifa-prize
We would like to complete a document that gives background on the previous awardees. This material could be printed and also downloaded from a website.
Project 2 – ASIFA CHAPTERS
ASIFA has about 40 active chapters around the world, including 7 in the USA. We would like to compile an overview of activities that chapters are undertaking, similar to the articles that profiled chapters in the former series “Who is Who in ASIFA.” For this project, we would like to create profiles of the most active chapters, including the seven in the USA.
This material is useful for chapter to chapter communication, and would also be presented on an ASIFA website, and possibly published in some manner.
http://asifa.net/chapters
For more information on these writing projects, please contact Deanna
Email: morsed@gvsu.edu
8. Ann Arbor Film Festival - Some Animation Programs, although animation is in pretty much all the Competition screenings - Thursday March 28
Juror Presentation: Stacy Steers: Animation and Surrealism
1:00 pm | Michigan Theater Screening Room | Free
Stacey Steers presents four short animated films spanning 20 years of process-focused filmmaking. In her handmade films, Steers experiments with new forms of animation in the surrealist tradition, using found footage in a novel way to create provocative narratives. Her mesmerizing films move with a stream-of-consciousness fluidity and summon disquieting dreamscapes drawn from allegory, myth, and archetype.
- Friday, March 29
Films in Competition 8: Animation
9:15pm | Michigan Theater Main Auditorium
Recent animated films from near and far: Quasi and the Quackadero (Sally Cruikshank), TV (Richard Reeves), Confidence Game (Kathleen Quillian), HEDGE (Amanda Bonaiuto), Intermediate Landscapes (Richard Negre), 32-Rbit (Victor Orozco Ramirez), Sun Zoom Spark (Gina Kamentsky), Cow Palace (Julian Gallese), Silver Seeds (Kim Collmer), Rabbit Tracks (Luke Jaeger), Smoke's Last Thought (Miranda Javids), Shape of the Moment (Mateusz Sadowski), Maze of Noumenon (Tianran Duan), Under Covers (Michaela Olsen).
- Saturday, March 30
Wada’s World: Wrestling with Existence - Special Program
9:00pm | Michigan Theater Screening Room
Wada Atsushi is one of the top animators in Japan. This is not that highly conventionalized and capitalized animation also known as anime. Rather, Wada presents his own strange, wonderful, and instantly recognizable world through his .3mm sharp pen. In Wada’s world, humans enjoy a peculiar relationship to the living things around them. His drawings of the animal kingdom may look relatively realistic, but his creatures emit an uncanny sense of anthropomorphization from deep inside their feral forms. Wada writes, “I like animals that give me space for thinking.” Space – or ma in Japanese – is a central concept for Wada’s practice. His visual space has the twisty-turny cyclical structures of Escher, and his soundtrack is punctuated by empty blanks inspired by composer Takemitsu Toru. Thus, ma in Wada’s oeuvre is not a cultural essence, but rather something arriving from Wada’s own artistic sensibility; one can recognize Wada’s world in the first few seconds of a film. Curated and presented by Markus Nornes.
https://www.aafilmfest.org/copy-of-full-schedule
SO
More about the retreat
Next event - opportunities with Tom Sullivan - Jim to check
Next newsletter - April 15
Brad - something for the home page
Website notes - incorporate info from Deanna’s email
Next meeting - Brad will DOODLE
9. International ASIFA news - Deanna’s report
Here is where we are at - the new Executive Board was elected, and the next thing is to elect the Directors of Special Projects - listed on this page as functional directors. These will be three year terms.
http://asifa.net/board-members
It is taking some time to finalize the positions, but I have put stars by the ones that seem to be open/vacant...
If any of these starred positions interest you, please email me directly for more information...
FUNCTIONAL DIRECTORS
Development:
Director of New Chapter Coordination – Vesna Dovnikovic (As Secretary General, she already does this)
***Director of Festival Liaison – Nancy Denney-Phelps (will be multiple directors)
AWG President – Anastasia Dimitra (Elected by AWG)
Communication:
?**Directors of News and Information: Tsvika Oren, Camille Selvon Abrahams (Thomas may have folks in mind)
?**Directors of Marketing and Public Relations: Jamie Kezlarian Bolio, Annegret Richter (Thomas may have folks in mind)
Special Projects:
IAD Curator – Brad Yarhouse (No one wants a change here. He's great)
ASIFA Prize Curator – Agnes Li (No one wants a change here. She's great)
**Director of New Projects – Deanna Morse - will focus on 60th anniversary celebrations. then new projects
Operations:
** Position probably eliminated -- Director of Ethics/Audits – Anastasia Dimitria
Director of Technical Operations – Corrie Francis Parks (No one wants a change here. She's great)
**? Probably will be Nelson Shin and someone else Director of Administration and Archives – Sayoko Kinoshita
Agenda and notes assembled for online posting.
Jim Middleton, ASIFA Central Sect’y.
10 March 2019
ASIFA Board Agenda and Notes for March 6, 2019
Present: Deanna, Brad, Jim, Julie, Chuck, Steve, Chris
Topics:
1. ASIFA Website Needs:
Launch date? We didn’t decide on a launch date, though we’re still making some changes beforehand.
** Maybe launch it after Brad updates the heartfelt welcome on the home page? Deanna (that would work -- Chuck)
Where should we place new information: ex. Newsletter Archive - 39 pdfs of the previous newsletters are ready! This should be along the top of the site - “events” and “join” banner - make a new page and off you go to the races! - other newsletter archives are being gathered at ASIFA East by JJ Sedelmeier (he may even have all the ASIFA Central newsletters in his collection, if we are missing any issues or cannot find them in our digital scans)
Is there a basic tutorial for posting on the website that Julie can recommend? https://ithemes.com/tutorials/creating-a-wordpress-post/
Brad writes something for the home page - overall vision and goals for this year, mentioning some of the things coming up, and we can look it over, toss in our ideas, we can approve it and then start letting folks know what’s going on! (ie St Louis in July). This will also be in our spring newsletter.
2. Next Event planning?
-Gretchen was going to check the cost of renting the facility - weekdays are likely less expensive
-DIA has some programs coming up - if someone wants a drive to Detroit...that has some options for activities
-Tom Sullivan - Jim will reach out to Tom for availability and what he’s able to bring - his requirements/needs; it may be a draw for local GR folks, more difficult for at-distance students (even Allendale to Grand Rapids journeys can be a challenge) - some students become so entrenched in their own projects and challenges that they don’t leave their workbenches - Jim will talk with Gretchen for available dates.
- School reels - and “open mic” from schools - drop box student films from the past 2 years that can be passed along (April 26-28 - Chris’ Kinematifest) - deadlines are pretty informal - April 1.
- Nina Paley: Seder Masochism feature-length animated film
- Ann Arbor Film festival is March 26-31. See below for some selected programs that feature animation…
3. Newsletter: Deadline for articles and how many newsletters we doing this year? Four issues per year is the goal - Jim will send some lists of PD music and open source software for comments. The next newsletter release will be by April 15. Taxes and Animation!
Topics for the next newsletter - Brad’s Presidential insights, thoughts from members’ blogs (Chuck’s ongoing reviews and adventures), IAD AniJam (10 participants so far, based on the yet-to-be made public poster for the 2019 October IAD), Public Domain music and material, and open-source software (Storyboarder/Blender 2.8alpha, Grease pencil, etc.) - probably an ongoing examination of available material out there at low cost.
4. Open Projects:
- Call for Writer/Researchers: Deanna and Brad will help Submit in April ?? till Sept.
- Summer Retreat - July 20 and 21 in St Louis - place that on the website with info TBA - Chris will build a promotional for the retreat, now in development
RETREAT Committee: Chris, Gretchen, Bob details by next meeting
- IDEAS for RETREAT: Pixelation exercises and explorations, TED talk/tech talk/microtalk type presentations (ie, animation history), student involvement - Chris DeWitt from Indiana may be a - Ray Pointer from Michigan - invite the Chicago animators to show their work
- Cut out weekend workshop “Lizzo” the seamonster - replacement animation project - couple pixelated humans with cartoon objects that can be swapped out https://vimeo.com/6246280
- A wall that can be drawn on, with people pixelated in front of it (increase participant involvement)
- The ever popular Show and Tell (Symposium?) - or something that sounds like an Academic Report for the faculty folk
5. Member Enrollment numbers
- We currently have 36 members.
- Julie will review ad Google dollars and opportunities (Corey Francis-Parks -sp) (ASIFA has worked this, using membership size to instill interest)
- Confusion email with the ASIFA international group has dropped considerably - We are .org, they are .net - we have a stealth launch….
6. DRAFT : Call for Writer/Researchers (Deanna will send out general information to the membership; is someone within ASIFA Central a possibility - letter of intent or note of interest?)
- ASIFA/Central USA has announced a call for writer/researchers to compile and write two pieces for two separate projects.
- Honorarium $400. (for each project)
- Letter of intent with writing sample April 1
- Draft presentation deadline July 1
- Final deadline Sept 1
- To apply, please indicate which project(s) you are interested in pursuing, and send a writing sample or link to previous writing to Deanna Morse (morsed@gvsu.edu)
- The material would be used in some manner to celebrate the 60th Anniversary of ASIFA, in 2020.
7. PROJECTS
CALL FOR WRITER/RESEARCHERS
ASIFA/Central USA has announced a call for writer/researchers to compile and write two pieces for two separate projects.
Honorarium $400. (for each project)
DEADLINES:
Letter of intent with writing sample April 1
Draft presentation deadline July 1
Final deadline Sept 1
To apply, please indicate which project(s) you are interested in pursuing, and send a writing sample or link to previous writing to Committee chair Deanna Morse (morsed@gvsu.edu)
The material would be used in some manner to celebrate the 60th Anniversary of ASIFA, in 2020.
Project 1 – ASIFA PRIZE
The ASIFA Prize has been awarded since 1985 to a person or organization that has made “a significant and innovative contribution towards the promotion and preservation of the art of animation”.
http://asifa.net/asifa-prize
We would like to complete a document that gives background on the previous awardees. This material could be printed and also downloaded from a website.
Project 2 – ASIFA CHAPTERS
ASIFA has about 40 active chapters around the world, including 7 in the USA. We would like to compile an overview of activities that chapters are undertaking, similar to the articles that profiled chapters in the former series “Who is Who in ASIFA.” For this project, we would like to create profiles of the most active chapters, including the seven in the USA.
This material is useful for chapter to chapter communication, and would also be presented on an ASIFA website, and possibly published in some manner.
http://asifa.net/chapters
For more information on these writing projects, please contact Deanna
Email: morsed@gvsu.edu
8. Ann Arbor Film Festival - Some Animation Programs, although animation is in pretty much all the Competition screenings - Thursday March 28
Juror Presentation: Stacy Steers: Animation and Surrealism
1:00 pm | Michigan Theater Screening Room | Free
Stacey Steers presents four short animated films spanning 20 years of process-focused filmmaking. In her handmade films, Steers experiments with new forms of animation in the surrealist tradition, using found footage in a novel way to create provocative narratives. Her mesmerizing films move with a stream-of-consciousness fluidity and summon disquieting dreamscapes drawn from allegory, myth, and archetype.
- Friday, March 29
Films in Competition 8: Animation
9:15pm | Michigan Theater Main Auditorium
Recent animated films from near and far: Quasi and the Quackadero (Sally Cruikshank), TV (Richard Reeves), Confidence Game (Kathleen Quillian), HEDGE (Amanda Bonaiuto), Intermediate Landscapes (Richard Negre), 32-Rbit (Victor Orozco Ramirez), Sun Zoom Spark (Gina Kamentsky), Cow Palace (Julian Gallese), Silver Seeds (Kim Collmer), Rabbit Tracks (Luke Jaeger), Smoke's Last Thought (Miranda Javids), Shape of the Moment (Mateusz Sadowski), Maze of Noumenon (Tianran Duan), Under Covers (Michaela Olsen).
- Saturday, March 30
Wada’s World: Wrestling with Existence - Special Program
9:00pm | Michigan Theater Screening Room
Wada Atsushi is one of the top animators in Japan. This is not that highly conventionalized and capitalized animation also known as anime. Rather, Wada presents his own strange, wonderful, and instantly recognizable world through his .3mm sharp pen. In Wada’s world, humans enjoy a peculiar relationship to the living things around them. His drawings of the animal kingdom may look relatively realistic, but his creatures emit an uncanny sense of anthropomorphization from deep inside their feral forms. Wada writes, “I like animals that give me space for thinking.” Space – or ma in Japanese – is a central concept for Wada’s practice. His visual space has the twisty-turny cyclical structures of Escher, and his soundtrack is punctuated by empty blanks inspired by composer Takemitsu Toru. Thus, ma in Wada’s oeuvre is not a cultural essence, but rather something arriving from Wada’s own artistic sensibility; one can recognize Wada’s world in the first few seconds of a film. Curated and presented by Markus Nornes.
https://www.aafilmfest.org/copy-of-full-schedule
SO
More about the retreat
Next event - opportunities with Tom Sullivan - Jim to check
Next newsletter - April 15
Brad - something for the home page
Website notes - incorporate info from Deanna’s email
Next meeting - Brad will DOODLE
9. International ASIFA news - Deanna’s report
Here is where we are at - the new Executive Board was elected, and the next thing is to elect the Directors of Special Projects - listed on this page as functional directors. These will be three year terms.
http://asifa.net/board-members
It is taking some time to finalize the positions, but I have put stars by the ones that seem to be open/vacant...
If any of these starred positions interest you, please email me directly for more information...
FUNCTIONAL DIRECTORS
Development:
Director of New Chapter Coordination – Vesna Dovnikovic (As Secretary General, she already does this)
***Director of Festival Liaison – Nancy Denney-Phelps (will be multiple directors)
AWG President – Anastasia Dimitra (Elected by AWG)
Communication:
?**Directors of News and Information: Tsvika Oren, Camille Selvon Abrahams (Thomas may have folks in mind)
?**Directors of Marketing and Public Relations: Jamie Kezlarian Bolio, Annegret Richter (Thomas may have folks in mind)
Special Projects:
IAD Curator – Brad Yarhouse (No one wants a change here. He's great)
ASIFA Prize Curator – Agnes Li (No one wants a change here. She's great)
**Director of New Projects – Deanna Morse - will focus on 60th anniversary celebrations. then new projects
Operations:
** Position probably eliminated -- Director of Ethics/Audits – Anastasia Dimitria
Director of Technical Operations – Corrie Francis Parks (No one wants a change here. She's great)
**? Probably will be Nelson Shin and someone else Director of Administration and Archives – Sayoko Kinoshita
Agenda and notes assembled for online posting.
Jim Middleton, ASIFA Central Sect’y.
10 March 2019
Saturday, March 09, 2019
Really Rough Pencil tests
Experiment with importing, exporting, and editing - using inexpensive and outdated software, knock-off technology and wrinkled, yellowing tracing paper, because after all, I'm cheap.... an upcoming group project in the guise of an AniJam.
Version #1:
Work process:
The original image is a painting, on canvas, that has been roughed out in 3D for a 10 sequence template. This permits a right-to-left tracking shot for the project.
It was provided as an mp4, with a 1920x1080 resolution.
I wanted to make the contribution a 2D animation, so.... some work-arounds....
In keeping with my habit of doing things in the most convoluted, irrational method possible with outdated technology, I was able to dissect the animation template provided by inputting it into Sony Vegas (v14, I kept that somewhat up to date), then exporting it as sequential images in four formats (JPG, PNG, TIFF, BMP, just to have all bases covered), then importing those images into (gasp) FLASH CS3 to build a reference layer. In effect, a panning motion rotoscope.
My use of FLASH these days is not to build a "Flash Animation," but rather, to construct the animated sequences for input into Vegas or some other video editor (I have used Premiere in the past, but it went a bit wonky on its codec, a problem that has reportedly been corrected from Those Who Know Better, but I'm at a stage where my time is spent more in doing instead of twiddling....)
An additional layer atop that was created, with the intention of drawing my 3-second sequence as a test using an "Artist 12" digital tablet.
The tablet worked well, at least for the higher-resolution FLASH environment the project required. The FLASH pencil tool was used for this portion of the project.
Scribble time - about 90 minutes.
The under-neath, background later will be removed on completion, to create a "green screen" with an export of the Flash sequence as a series of 1920 x 1080 images. That'll go to the ASIFA coordinator for assembly,
And, after this, ready to collapse by 9pm, such a party animal am I!
Test #2 - first clean up
And, finally with some more detail and color:
And, some more details while experimenting with color splashing at the end:
And some more details:
And some background tests for the second sequence --
After this, time to shuffle frames, adjust timing, and do a Photoshop run on the drawings....
Well, there are ALWAYS retakes, you know....
Like this one, so Andrew Z's segment doesn't get obliterated....
Version #1:
The original image is a painting, on canvas, that has been roughed out in 3D for a 10 sequence template. This permits a right-to-left tracking shot for the project.
It was provided as an mp4, with a 1920x1080 resolution.
I wanted to make the contribution a 2D animation, so.... some work-arounds....
In keeping with my habit of doing things in the most convoluted, irrational method possible with outdated technology, I was able to dissect the animation template provided by inputting it into Sony Vegas (v14, I kept that somewhat up to date), then exporting it as sequential images in four formats (JPG, PNG, TIFF, BMP, just to have all bases covered), then importing those images into (gasp) FLASH CS3 to build a reference layer. In effect, a panning motion rotoscope.
My use of FLASH these days is not to build a "Flash Animation," but rather, to construct the animated sequences for input into Vegas or some other video editor (I have used Premiere in the past, but it went a bit wonky on its codec, a problem that has reportedly been corrected from Those Who Know Better, but I'm at a stage where my time is spent more in doing instead of twiddling....)
An additional layer atop that was created, with the intention of drawing my 3-second sequence as a test using an "Artist 12" digital tablet.
The tablet worked well, at least for the higher-resolution FLASH environment the project required. The FLASH pencil tool was used for this portion of the project.
Scribble time - about 90 minutes.
The under-neath, background later will be removed on completion, to create a "green screen" with an export of the Flash sequence as a series of 1920 x 1080 images. That'll go to the ASIFA coordinator for assembly,
And, after this, ready to collapse by 9pm, such a party animal am I!
Test #2 - first clean up
And, finally with some more detail and color:
And, some more details while experimenting with color splashing at the end:
And some more details:
And this should be "it" - 18 May, 2019
Well, there are ALWAYS retakes, you know....
Like this one, so Andrew Z's segment doesn't get obliterated....
Monday, March 04, 2019
Friday, February 22, 2019
Isopropanol swabs for nausea - wait, that sounds like a bumper sticker....
OK, here's a note from JAMA Surgery online, via one of those Rx newsletters that I really do read now and then:
A small study - 120 ER patients - reviewed three treatments for nausea and vomiting:
(1) taking 4mg of Zofran (ondansetron) while sniffing an isopropanol pad (one of those little wrapped alcohol wipes used to scrub the skin before an injection);
(2) sniffing the isopropanol pad while taking a placebo tablet; and
(3) sniffing a pad soaked in salt water while taking a 4mg Zofran tablet.
(1) taking 4mg of Zofran (ondansetron) while sniffing an isopropanol pad (one of those little wrapped alcohol wipes used to scrub the skin before an injection);
(2) sniffing the isopropanol pad while taking a placebo tablet; and
(3) sniffing a pad soaked in salt water while taking a 4mg Zofran tablet.
They used a 100 point nausea scale to rank the results.
(1) Zofran/alcohol wipe - nausea down by 30 points
(2) Placebo/alcohol wipe - nausea down by 32 points
(3) Zofran/saline wipe - nausea down by 9 points.
(1) Zofran/alcohol wipe - nausea down by 30 points
(2) Placebo/alcohol wipe - nausea down by 32 points
(3) Zofran/saline wipe - nausea down by 9 points.
Alcohol wipes outperform a placebo and a gold-standard prescription medication for treatment of nausea and vomiting.
They may be on to something.... hmmmm.... (link below from March, 2018)
https://www.jwatch.org/na46286/2018/03/09/inhaled-isopropyl-alcohol-superior-oral-ondansetron
Tuesday, February 12, 2019
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