Taking a break from trains this afternoon...
... just wingin' it at this point ...
(c) 2022 Jim Middleton, The Animating Apothecary
Here lies the residue of "The Animating Apothecary," a source of obscure ephemera and thought, while nibbling at the crustier extremes of an overbaked society. Instagram? see - https://www.instagram.com/animating_apothecary/ also check out asifa.org and asifa.net - content (c) 2006-2024 Jim Middleton
Taking a break from trains this afternoon...
... just wingin' it at this point ...
(c) 2022 Jim Middleton, The Animating Apothecary
DUAL/DUEL - A distraction in three scenes
Draft by Jim Middleton
For a series of short views on relationships for a local college theatre (1980, project abandoned)
available in "You Didn't Hear It From Me!" at Amazon - https://www.amazon.com/You-Didnt-Hear-Performance-Perpetrations/dp/B0CZ7J4Y1G
Minimal props and two 20-ish characters
Lights up
A Phone is ringing.
SHE: (answering the phone): Hello. Just a second. I think he's in the shower.
She turns on the cold water tap at the sink
A yell comes from the distance.
SHE: Yeah. He'll be right down.
HE: Hey, I was in the shower!
SHE: Telephone.
HE: Oh. Hello. Fine and what's the matter? Let's make it eleven, ok? Sure. Bye.
SHE: You let that guy walk all over you.
HE: Naah – he wanted me in at nine.
SHE: Oh you toughie.
HE: A will of iron.
SHE: (looking at the wet floor) You spring a leak?
HE: I like the wet look.
SHE: Not on my floor,
HE: Mine too; share and share-
SHE: I clean it, it's mine; cleanliness is nine-tenths of the law.
HE: I love it when you're forceful. Come here and wrinkle my towel.
SHE: No perversion in the kitchen.
HE: I need an appetite for breakfast, which you weren't supposed to make.
SHE: I got tired of french toast.
HE: I could have made omelets.
SHE: With that cheese and god knows what all running out of the center?
HE: So I like mine with a little life in it.
SHE: To the showers, knave.
HE: Just trying to help. I mean, it's my day off.
SHE: In ten seconds I'm going to put on Disco Duck and start dancing.
HE: I'm gone.
He leaves. She pulls out a newspaper. The shower starts, she continues reading. HE starts singing an off—key opera. SHE casually turns to the sink and hits the cold water again. HE screams.
Scene fade out and in.
The phone is ringing. HE answers it.
HE: Hi. This is John. (changing voice now) And this is Marsha. (back to original voice) We're in the shower right now and can't come to the phone. If you'd like to leave a message and don't mind talking to a machine that's probably much smarter than you are, you can do so after the tone. If you're calling long distance, you've just been charged for one minute by listening to this. Beep!
SHE (over the phone): Smart stuff, raisin brain. What if my mom should call and get that crap?
HE: Oh she did already.
SHE: What?!
HE: She said she was in a hurry for a hair arrointment, that your Cosmopolitan is still going to the old address, and remember to wash behind your ears.
SHE: She didn't.
HE: Do you mind if I have her forward the Cosmo? I love those covers.
SHE: I don't believe this. She hasn't even met you.
HE: Let's ask her over for pizza and beer. She doesn't like anchovies, does she?
SHE: You are such a jerk. Wait until I get home, young man...
HE: (reverts to answering machine voice) Hi. This is John. And this is Marsha. We're in the shower right now and can't come to the phone. If you'd like to leave a message...
SHE: Oooh.
SHE hangs up.
HE: (smiling)...you have thirty seconds. He hangs up.
HE: Beep!
Fade out and in.
Dark. In the bedroom. Soft sounds of nature outside.
NO ACCOUNT ACCOUNTING - A Double Entry Mystery
Early Perpetration by Jim Middleton (1979)
"Did you read where two engines crashed in Pennsylvania?"
"Only in America."
"I heard it also happened in Mexico City."
"Only in North America, then."
"And in Germany."
Dolor paused for a moment. "Oh bless your heart! " he spat, and slammed the door.
* * *
It was all verified in black and white the next morning.
* * * * * * * *
ACCOUNTANT FOUND SLAIN IN
ACCRUAL MURDER
--------------------------------------
COMPANY HIDES EVIDENCE
--------------------------------------
DURANTE DOLOR, LACTASIA RUBBER COMPANY ACCOUNTANT, FOUND SLAIN IN CORPORATE HEADQUARTERS.
BORING BIC VENTILATES VENTRICLE.
"IT WROTE GREAT AFTERWARDS," SAID INVESTIGATING OFFICER
LACTASIA EXECUTIVES, INCLUDING PRESIDENT ROBERTO SALPINGO, MAINTAIN IONIC SILENCE.
* * * * * * * *
President Salpingo threw the paper down and sat on it.
"This is bad for business," he said. "People will be running out to buy pens after this, and we don't
YOU IMPERIALIST SHEEPDOG, I DROOL UP YOUR NOSE.
YOU WILL DIE LIKE A WOUNDED CAMEL BLINDED
BY PSORIASIS.
I HATE YOU. I HATE YOU. I HATE YOU.
GET DOUBLE PNEUMONIA.
I STILL HATE YOU.
BOYCOTT GRAPES.
Looked like our office boy wouldn't be bringing me coffee and doughnuts that morning. I entertained a second opinion when a cobra hugging my legs was sliced by a scimitar lunging from the ceiling.
Black widows knitted knots in the adding machine, and a smoke bomb seared through the window. I stepped into the hallway to a barrage of Bic pens and old shoes, and folded myself under the old desk.
"What happened then?" asked Salpingo.
"I remembered that to stop a pen, you had to kick it in the ball."
"Good use of the old gray matter," said the president. "We'll be keeping in touch."
As I left, he buzzed twice for his secretary.
My wife was burning our roast to save it when I got home.
"What's cookin', babe?" I asked, ignoring the smoke. But it was good smoke. It smelled fresh.
"You don't love me anymore!" she cried, slamming the bedroom door. I was glad to see we were on speaking terms again.
I put the roast out for the cats, making a mental note to give the survivor a decent burial in the morning. Then I went to the bedroom and kicked the door down. She was waiting for me near the closet, grasping something in her left hand.
It was a Pic fine-point.
"You!" I sputtered.
"Don't come near me or I'll break this pen!" She thought about that for a moment. "We weren't very close," she added.
"You can't be purulent about this, woman!" I was getting brave now, inching away from her only half as fast as I had been. She lunged at my pants and wrestled me into the closet.
There, my arm brushed up against something hairy. It was a leg. I felt I knew that leg I felt.
"I told you we'd keep in touch."
"Salpingo!" I rose in shock.
"Yes, Salpingo!" he said.
"But--why?"
"Because!"
My wife immediately rose to the occasion, flailing about with her pen. At one point she came within three inches of hitting Salpingo's left ear – and stabbed him right between the eyes. He fell to the floor.
"Ong and some milk duds," he said. Those were his last words.
I crawled out of the closet and found my wife in bed, casually smoking the evidence. Without her clothes, she was still a fetching sight.
"I did it all for you," she said. "You won't report me, will you?"
"Of course not."
The police came for her minutes after I called. I can still remember the look on her face when they carried her away. Too bad I can't remember her face.
I retired from the Lactasia Chemical Rubber Company soon thereafter, having salted away some good embezzlement, and went to Jamaica for an extended vacation with Salpingo's secretary.
You know, funny thing about that girl – she can only count to two.
Looking Sidewarys: Supportive Personnel and the Retail Experience
(1979 Essay by yr hmbl typst)
"Sometimes I've believed as many as six impossible things before breakfast." – Lewis Carroll
Tucked aside in some tawdry antechamber, hidden between notes brittled by two years of well-deserved dust, there lies an essay I carefully clipped from a library journal in my pre-Xerox years (meaning, before I had a job or money to use their machine) that, to this day, I feel remains the Final Word and Definitive Statement regarding Supportive Personnel (read "technicians"). It was well argued, and, in the course of its dialectics, came to a consummation devoutly to he wished (ouch). So moving was the conclusion that I instantly called the piece my own, and I remain certain that if I had it now, or could at least remember what the moving conclusion was in the first place, this small distortion would proceed to slide more smoothly. However, since my days of digging through tawdry antechambers are well past (it always being my philosophy to let sleeping dust lie), I press go ahead, au naturel.
Throughout my sojourn at college, there was a lot of talk about these pharmacy technicians. Internships were scarce in that protoplasmic era, and these doggone technicians weren't making it any easier, we collectively surmised. And the obscure future – when our hands would be stamped with the indelible RPh – what then? Technicians would he there too, peeling into the job market, hundreds of them for every pharmacist. How could we ever rent the ‘Vet of our dreams while on unemployment? Our overly-educated prospects seemed dimmer than Tokyo's odds in a Godzilla movie. Lordy! Technicians would be everywhere!
Many a student examined such a fate, a life without Brooks Brothers suits, matching pants, and clean shirts, and would shake their heads, and with typewriters tucked under arms go on to dental school.
Namely, the wave of the future – Clinical pharmacy! (cue the balloons) And, as Kermit would say, "Yaaaaaay!"
So, let us examine, herald, and fully support this all-important Supportive Personnel. Until recently, there was no set program for a pharmacy technician, no special training beyond hands-on experience. Often, a technician began as a clerk who just happened to be assigned to the prescription counter. What was lacking in all this was standardization. In a world of semantics, one man's technician would be another man's clerk.
Without some academic continuity, the position of technician would have little meaning besides the title. Ohio offered the first collegiate-level program, and in Michigan community colleges, similar courses are being offered. This State has also taken to the idea of certification for technicians, and the MPA has opened its doors to membership, as well as providing educational seminars for technicians.
Is certification of supportive personnel the answer? If it is, I must have forgotten the question. I think it had something to do with a tawdry antechamber, but I've been wrong before...
Some background - after sitting through the initial weekend release of Mel Brooks' Silent Movie, our high expectations were dashed with what seemed to be a phoned-in, thoroughly derivative performance, without any appreciation for silent comedy or comedy in general (we thought Marcel Marceau was the one saving grace). Completely disenchanted, especially after the timeless Young Frankenstein, we expected the critics to be brutal. However, Time magazine reviewed it as if Silent Movie had invented cinema - we were dumbfounded, so we figured - hey - if that's what critics want, perhaps Ron Ugly, our generic nom-de-plume in the days before staying up for SNL, should weigh in:
THE CURRENT CINEMA with Ron Ugly
I Was A Teenage Geriatric: A New Film by Mel Brooks and Jerry Lewis
Screenplay by Mel Brooks, Jerry Lewis, and Dorn DeLuise
Additional Dialogue by Marty Feldman
Based on the Book, Worlds in Collision, by Immanuel Velikovsky
Directed by Mel Brooks
A Bud Yorkin-Norman Lear Presentation Distributed by Twentieth Century-Fox
150 minutes, Rated PG, 1976 release
The Original Graduation Speech (loosely based on some word-salad from June, 1973)
Also see - More Performance Perpetrations
Now, Chat EPT (AI) “rewrote it” thusly (Version 1): - note - each of these following examples, checked by another AI program, recognized their kindred spirits as a fellow AI generator!
As we stand here today, on the brink of a new chapter in our lives, I can't help but feel a mix of emotions. Excitement for what the future holds, but also a sense of sadness at leaving behind the familiarity and comfort of high school.
But as we look back on the past four years, we can't help but feel a sense of accomplishment. We've persevered through the highs and lows, the late nights studying and the early morning wake-up calls. We've made friendships that will last a lifetime and learned valuable lessons that will stay with us forever.
So as we move forward, let's remember the resilience and determination that brought us here. Let's not be afraid to take risks and embrace new opportunities. And let's not forget the importance of balance – while it's important to work hard and strive for success, it's also important to take time for ourselves and the people we love.
But most importantly, let's remember to enjoy the journey. Life is short and unpredictable, and it's easy to get caught up in the stresses and pressures of the real world. So let's not take ourselves too seriously, and remember to find joy and laughter in the little things.
So to all of my fellow graduates, I wish you the best of luck on your next adventure. Whether you're headed to college, starting a new job, or traveling the world, I have no doubt that you will all achieve great things. Congratulations and thank you for the memories.
And, a second run, just to see if it could become more bland and traditional --
And that is about all I can stomach for this exercise. I do see a lot of boilerplate blandness that populates the typical graduation address - and likely where future graduates expecting to “say a few words” will go for their inspiration without perspiration.
Testing a character, testing it in 4K, testing what this blogger experience can permit, and finally, testing a digital conversion of a Felix Arndt recording from 1915 (both for playback speed and filtering 107 years of unnecessary sound, note - it is NOT in stereo!). All this testing!
The first 500 postings are the toughest.
So here's a progress test of one project, a gif animation for testing, ultimately a 4K render...
Introduction of Trains
About 85% there....making use of a different Keaton sketch